Rane AD13
Digital Alignment Delay
$75.00

• 3 independent delay outputs • 0-655ms time delay ranges in steps of 1ms or 20ms • Digital front panel display for delay time selection • Input/output level controls • Bypass capability • Switchable active or transformer balanced input/outputs on XLR • Full 20kHz bandwidth • 50kHz sample rate

• Compact digital delay intended for delaying high quality audio signals • Principal application is the synchronization of loudspeaker zones to primary source • Three outputs are independently adjustable in 3 ms steps to 192 ms • 10dB dynamic range • 15kHz bandwidth • Level setting LED's • XLR connectors

• Single output version of DF4015-3

Audio Digital Inc PAD300/18
Audio Digital Delay
$75.00

• 1 input and 3 outputs on XLR with level attenuation on all • Outputs are independently adjustable from .02ms to 650ms • Input level LED indicator

• Delay ranges: Flange 0.25 to 16 ms; Double 16 to 64 ms; Echo 64 to 1024 ms • Modulation: Width 5:1, Speed 0.1 to 10Hz • Feedback both positive and negative • Infinite repeat • Chorusing • XLR connectors on input/output

• 3-spring assembly • No spring-slap due to automatic limiting • Transformerless balanced/unbalanced 600-ohm load • 4 bands of EQ • XLR connectors

• For studio and live performance • 300 ms max. delay, switchable overlapping ranges • Continuously variable adjustments • Flat response and low distortion • Built-in tone, feedback and modulation controls • Double tracking, stereo, flanging, tunneling, comb filtering and echo/reverb, 9 LED peak reading display • Pitch bend, vibrato and rhythmic effects • XLR connectors

• 30 modifiable effects • Reverb, early reflections, delay, echo, modulation, pitch change, freeze, delay vibrato and more • 2 outputs for pan effects • 60 programmable user memory for all parameters except input level • XLR connectors

• 5 bands with independent functions • Adjustable bandwidth, frequency and depth • +15dB boost, -20dB cut • Bandwidth range from 1/30 to 1.5 octave • 120dB dynamic range • XLR connectors

• Designed for PA and sound reinforcement • Input gain control • 10-band graphic equalizer, + or -10B each frequency • Four 60Hz-6kHz sweepable 0 to -20dB notch filters • 12dB per octave, 2-way electronic crossover continuously adjustable from 500Hz to 5kHz • XLR connectors

• Contains five active notch filters 0-20dB • 60Hz-6kHz sweepable high and low-cut filters • Built-in peak clipper headroom indicator • XLR connectors

• 30 bands from 25Hz - 20kHz • Each band +12dB boost or -15dB cut • Switchable for 20dB attenuation • 600-ohm balanced/active in/out with XLR connectors

• 27 bands from 40Hz-16kHz • Each band + or - 12dB • Switchable high-pass filter (32Hz -18dB per octave) and low-pass filter (8kHz -6dB per octave) • Balanced input • XLR in/out connectors • Clip light indicator

• Audio tone control • Variable high-pass and low-pass 6dB-per-octave filters • Bass and treble controls • RCA dual bridged line level inputs • Multiple mode outputs, RCA line level, low impedance XLR mic level, 600-ohm XLR or binding post balanced line, 1/4" headphone

• A multifunction dynamic range control device • Four modes of operation include compressor/limiter, expander, gate and duck • Two channels can be used in stereo or cascaded modes • Compression ratio is variable from 1:1 to infinity:1 • Threshold is variable from -40dBm to +20dBm • Frequency response 20-20kHz • Maximum gain reduction 60dB • Attack time as fast as 120dB/msec • Release time variable from 300dB/sec to 5dB/sec • Maximum output +20dBm • XLR connectors

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Symetrix 306
Preamp/Ducker
$25.00

• A paging/foreground stereo music front-end with comprehensive ducking controls • Separate Threshold, Depth, Hold and Release adjustments allow precise modulation of program material in the presence of a page or an incoming signal on the "Page" input • Mix control varies the proportion of source from "Paging" input and program material feeding the outputs • Separate "Page" only output also • L,R line input with looping XLR • Looping "paging" Mic/Line XLR input • L,R Mix output on XLR

• Attack and release can be set for manual or automatic operation • Manual attack time as fast as 120dB/msec depending on mixture of the program, otherwise control is variable from 12dB/msec to .25dB/msec • Release time variable from 300dB/sec to 5dB/sec • XLR connectors

• Mono two-way deluxe unit • Seven controls system gain low-frequency filter, L.F. level, H.F. level, H.F. phase, range switch, frequency select • Professional and studio performance • Pair of M2Vs will provide ultimate stereo 2-way or mono 3-way • THD below .005% • Crossover 100Hz-10kHz • XLR connectors